Coppola, Lucas, Spielberg—and the Battle for the Soul of American Cinema
In the summer of 1967, as the old Hollywood studio system was dying, an intense, uncompromising young film school graduate named George Lucas walked onto the Warner Bros backlot for his first day working as an assistant to another up-and-coming, largely-unknown filmmaker, a boisterous father of two called Francis Ford Coppola. At the exact same time, across town on the Universal Studios lot, a film-obsessed twenty-year-old from a peripatetic Jewish family, Steven Spielberg, longed to break free from his apprenticeship for the struggling studio and become a film director in his own right.